Runyonesque Character Left 
       Imprint on Times Square 

In a neighborhood full of colorful and zany characters William Kanafsky easily ranked at or near the top of any list. He possessed all the traits of a typical Damon Runyon character - a slick, racy, fast-talking, wisecracking wit. He packaged this with an attitude that said  "I'm going to verbally strip you down and embarrass you and have fun while you squirm."   
And he often did just that, in a tough-love way, to anyone who walked through the doors of his shop.

The final chapter of this Clinton story ended on March 11, 2001 when William Kanafsky died at St. Clare's Hospital. He was 58. He had lived and worked in Clinton and Times Square for over 25 years.

Few people knew his real name. He had more monikers than a character in a Runyon short story. Mention Wild Bill, Billy Kane, Colonel Finkelstein, White Willie, Billy Dancing Shoes, Billy Kanocker, The Bearded One, and then most everyone knew you were referring to Billy from the Manhattan Plaza Winery.

He managed the wine shop since 1985. When he first started there Clinton still had a hard edge, neighborhood in transition. Vacant stores, shoddy storefronts, dilapidated tenements, drugs, street prostitution and high crime created an unsafe feeling, especially late at night. Ninth Avenue did not enjoy the bustling restaurant and cafe buzz it has today.

Yet he took a struggling business and made it into one midtown’s best wine and spirits shop.

He saw change coming to Hell’s Kitchen. He hung out with everyone from hookers and hustlers at the Full Moon bar on Eight Avenue to the struggling actor’s, celebrities, and bankers who frequented the Film Center Café or the West Bank Cafe among a score of  local restaurants, bars and dives. He lived it up mightily and became friends with many, who in turn became his customers.

He had a knack for building a business. Prior to joining the Winery he managed Bernard's, a popular theater and late-night bistro on West 48th, a site now occupied by the Morgan Stanley building. There the clientele ranged from Broadway celebrities to professional athletes to the biggest names in porn. Of course many of the latter became “close” friends.

He chatted up actors Tony Roberts, Frank Langella, Nell Carter among others and wrestling's Andre the Giant and Greg Valentine. He honed his blatant descriptive sexual humor with the likes of Ron Jeremy, Candida Royale, Ginger Lynn and Danielle stars whose names draped the marquees of Time Square biggest porn venues.

"He was the funniest man outside of showbiz and definitely the most irreverent man I have ever known," said Jimmy Kissane, an actor who worked with him for thirteen years. "You couldn't even print his best stuff. He was a born comic. He had to get a laugh at any expense even if it made you boiling mad. You got mad but ten other people were on the floor laughing."

Born in Brooklyn, raised in Miami Beach, Mr. Kanafsky not only sold spirits but entertained customers with stories and one-liners usually laced with a sexual, racial and ethnic zings.

He loved talking about his "big" missed opportunity after his family returned to Brooklyn. "My mother's friend begged her to get me to take her daughter out. We went

to Erasmus Hall High School together. I couldn't be bothered. She was dumpy, fat and had a big Jewish nose, " he used to say (minus the expletives and sexually derogatory descriptions). But admitted "What an idiot I was." The girl was Barbra Streisand.

Everyday he had a new story. Once he complained of severe back pain but still described in X-rated detail his all-night romp with two dancers from the Melody, a Times Square strip club.

His spicy talk and raunchy humor shielded his "heart of gold" added Kissane." He was the first to dig into his pocket to help someone whether it was some dreg on hard times, a whore from one of his old haunts or a highbrow who ran short of money drinking or snorting coke the night before.”

His generosity touched houses of worship, block associations and theater groups. Several years ago, he coproduced, with Denzel Washington, a series of vignettes written and directed by the late O.L. Duke, an actor friend who had trouble financing his work.

In the early sixties he served in the Navy and did two patrols in the Mediterranean. His mother, Freda and sister Sandy, of Georgia; two sons, Burton, of California, and Marlon, of Oregon; and two grandchildren, survive him.

"If you rub up against money long enough, some of it may rub off on you," is a quote from Damon Runyon's "A Very Honourable Guy."  Runyon definitely had Billy Kanafsky in mind.


Photo: Billy Kanafsky, Kacy Duke (celebrity personal trainer) and two legitimate friends. 
Photo by Rudi Papiri

(END)

JOE ZITO: Walking The Beat With The Clinton/Hell's Kitchen Historian

Walk Ninth Avenue with Joe Zito and let him transport you back in time. How far back he takes you depends on the blocks and the buildings you pass. He can whisk you seventy, ninety, one hundred fifty years back in time. Mr. Zito is not a time traveler nor is he a magician but he is a master at unraveling the history of old buildings. When you see a dilapidated tenement built in the mid-eighteen hundreds, he sees craftsmanship and beauty underneath years of neglect.

Zito, a "lover of cities has studied architectural history almost forty years. Known as  "Clinton's Historian" after the New York City neighborhood where he resides, Zito has written a column for the local community newspaper The Clinton Chronicle since 1999. Clinton or Hell's Kitchen is a one-time rough neighborhood stretching from 34th to 59th Streets. When Zito first started researching the area's buildings and history few visitors ventured west of Eight Avenue.

He has conducted walking tours, lectures and slide shows at the Brooklyn Museum, The Municipal Arts Society, NYU, community centers, and The New York Public Library branches at the Science, Industry and Business on West 34th at Madison Avenue, and at Columbus near 51st street on Tenth Avenue. He often lectured at the old Donnell branch and once gave an excellent lecture comparing London and New York architecture.

He has led tours in downtown Brooklyn and in Manhattan from the Financial District to Harlem. "I have taken groups to Kleindeutschland. Few people know where that is," Zito, laughed referring to what was once the third largest German speaking community in the world, located from 14th to Houston, to the East River.

Three years ago I stood along traffic clogged Ninth Avenue with Zito, then 95 years old. Unfazed by the sweltering heat of this late August afternoon, layered with exhaust fumes from vans and buses blocking the intersection in front of us Zito, who packs more energy and enthusiasm than people half his age walked over two miles that day, and unveiled his secret world of sculptured faces, angels, winged-lions, nymphs, arched serpents, renaissance arches, Victorian turrets all of which decorate buildings in Clinton. He also offered answers to buildings I often stopped to admire but knew nothing about. He praised the beauty of two buildings he saw for the first time while taking a mental snapshot of their location and architectural details. Within a week Zito would know everything about these buildings.

He rhapsodizes poetically on these forgotten gems. The wail of emergency vehicle sirens and the deafening sounds generated by the construction sites we passed did not distract him from talking about Florentine palazzos, and Greek mythology, images he uses to describe his buildings.

Zito became interested in architecture near the end of his thirty-year NYPD career. Vacations to Philadelphia, Boston, Chicago and Washington with Joan, his late wife of 55 years, spurred his interest. "We planned trips as vacation/learning experiences. We studied architecture and cultural history," he said. "I learned how style connects with history."

Walking and his keen attention to detail harken back to his days as a beat patrolman in Crown Heights, Brooklyn. He also worked in the police commissioner's office and the detective's division. Rising to the rank of Captain, he served briefly at the 16th Precinct on West 47th, now Ramon Aponte Playground. A modest man he downplayed his last post as commander of 200 personnel at a Staten Island precinct. "We rescued a lot of cats from trees," he said. "I felt like a sheriff in a small town."

He grew up in Brooklyn and attended New Utrecht High, then graduated from Fordham University during the depression. "There were no jobs. Times were tough," he said. He got a job as a rewrite man and copyreader for a racing newspaper. "I read for mistakes,” he said. "And The Encyclopedia of New York has plenty."

When the paper he worked for in Boston folded Zito joined the NYPD. After retiring in 1972 he took art and literature classes at NYU and assisted his professors with class tours. He has lectured ever since. When he moved to Clinton 23 years ago Napoleon LeBrun's Sacred Heart of Jesus Roman Catholic Church on 51^st street just off Tenth Avenue street first captured his attention. "The deep red brick blends beautifully with the terra cotta and light-colored stone arches," he said.

His late daughter, Donna, a nurse at Roosevelt Hospital, told him about St. Mary the Virgin Episcopal Church on West 46^th east of Seventh Avenue. Designed by Pierre LeBrun, Napoleon’s son, Zito applauds the use of ornamental brick and terra cotta figures on the facade.

Zito specialty is pre-law tenements. Two of his favorites are the 1886 Werner building, #787 Ninth Avenue, home of the  "Green Men" - the four stone masks of Greek mythology that adorn the building’s second floor. Years of neglect have tarnished its grandeur. "It is as beautiful a building as you will find on Fifth or Park Avenues." Zito said. The second is Stanford White's elegant 1887 Wanaque (photo r), a French Flat, and forerunner to the apartment house,  a residence used 
by Fountain House.

When asked how he prepares, Zito replied, "I visit the sight, I read extensively and I research.  He added, "I remember what a brilliant policewoman once said  'review, review, review.'" 
I never skim the surface. I enjoy digging deep. It helps to have a

passion for what you do."

Please visit Joe Zito’s blog: http://joezitonyc.blogspot.com/

Photo top: Joe Zito standing in front of the site of  Stillman's  gym - 300 West 55th St. - where Jack Dempsey, Joe Louis, Rocky Marciano and others trained.

Photo bottom: Wanaque - 359 West 47th St.  Photos by Rudi Papiri

(END

OUTCASTS THRIFT SHOP: A Miracle on Tenth Avenue

When Outcasts Thrift shop first opened on Tenth Avenue in the nineties few shoppers ventured west of Ninth Avenue. After all Hell’s Kitchen's main street always had character. It is a haven for good eating thanks to the annual Ninth Avenue International Food Festival, its many restaurants, ethnic gourmet stores and mom-and-pop shops. Tenth, always the poor-cousin, lacked an identity.

Back then empty or dingy looking stores, auto part shops, gas stations, parking lots, a crime-plagued park, and run down tenements filled the avenue.

Outcasts gave people a reason to visit Tenth. Run by St. Clements Church at 423 West 46^th Street, Outcasts first operated from the church before moving to Tenth. It quickly became a popular stop for area residents looking for bargains even though it resembled a Bowery rummage sale.

In time due to the efforts of co-managers Peter Valentyne and Keith Benedict (both have since left) Outcasts evolved into “The Miracle of Tenth Avenue.”
“We are a place of resurrectible goods,” Valentyne said. “We give one a reason to feel good and gain from other people’s castoffs.”

These efforts have worked.  Customers agree.

“It is a magical place. I remember things I did not buy,”

Kathy Lynwood said. Lynwood, who shops here often, added “This is a place for all seasons. It lifts one’s mood on those somber days even if you leave without buying a thing.”

Both Valentyne, a poet from Michigan, and Benedict, an actor, painter and native of Wales shared a passion and vision for Outcasts. Together they created a warm and inviting place.  It is a boutique minus the pretentiousness and high prices a some of the nicer looking shops in the city. It’s a place for people with and without money.

People come here not only to browse but chat with the personable Messrs. Valentyne and Benedict. Both have worked at Outcasts for about eleven years. People bask in the store’s soothing visual displays, aromatic smells and eclectic music before leaving with a bag of goodies or that one terrific find.

The small storefront window is hard to miss. Its theme- oriented setups contain eye-catching displays. Stylishly dressed mannequins in full makeup offer a glimpse of what to expect inside.

Despite its cozy size Outcasts is not cluttered, “We position things and layer colors to give it a life of its own,” Valentyne said. 

Browsing the racks as I did I found silk jackets, men and women’s suits, sport jackets, Italian mohair and cashmere sweaters, evening and casual dresses by Willi Smith, Barney’s NY, Liz Claiborne, Jones Street, Anne Klein and Sag Harbor.

Outcasts sells decorative lamps, hand painted vases, framed paintings and photographs, ornaments, jewelry, tableware and much more. There is a huge CD, DVD and book collection.  The two-dollar “Mystery Brown Bag” is popular and filled with Valentyne’s handpicked “curiosities .”

St Clement’s uses the monies earned here for its ministries: a volunteer vet clinic,  food pantry, homeless outreach, and assisting needy neighbors. It also has a highly regarded theater ministry.

Founded in 1830, St. Clement’s Episcopal Church has long advocated social activism. Its ministry has included women, gays and people of diverse backgrounds for years.  In 1962 St. Clement’s reconfigured its church to include a theater, which is it calls the second oldest Off Broadway house.

Outcasts customers are from Hell’s Kitchen, actors and set designers from local theaters and Broadway, and tourists from the cruise ships docking at Westside piers.  Once actor Alec Baldwin, after admiring the front window, popped in and bought all their snow globes and alarm clocks.

Katherine Consuelo-Johnson, a Texas native and a St. Clement’s congregant, is the new manager. She has ten years of experience with antiques and online auctions. She first learned of Outcasts as a shopper. when she bought a television after moving to New York.

Major changes are underway. St. Clement's board sought change as controversy existed with the prior management.  But Outcasts under Consuelo-Johnson's leadership and with her energy and ideas the shop has blossomed and is thriving. “We want to make it more accessible for the elderly and women with strollers. We plan to sell more items from boxes and sell personal goods that will suit the tastes of our visitors,” Consuelo-Johnson said. “We need more volunteers. Eileen cannot do it alone.”

“This is a very neighborly place,” Eileen Hardy said. A Hell’s Kitchen resident and a volunteer of several years Hardy added “What makes it special and fun is we get new things everyday. When someone finds that one-of-a-kind piece that cannot be found anywhere else then we all smile.”


Even with change Outcasts is a treasure chest filled with wonderful things.
OUTCASTS is at 660 Tenth Avenue between 46 & 47th Streets. Hours: 
Mon - Sat 10:30-6pm; 212-974-0121 Donations accepted.

MONTE IRVIN COMES HOME: NY GIANT FANS CELEBRATE 1954 WORLD SERIES WIN

It has been 49 years since Montford Merrill “Monte” Irvin last played for the New York Giants but “Jints” fans have not forgotten him.

Neither the passage of time or the team’s heart-breaking move to San Francisco blurred the sweet memories of his fans.

Monte, a member of baseball’s Hall of Fame, was the New York Giants Baseball Historical Society’s guest of honor at the 50th anniversary celebration of the New York Giants 1954 World Series victory, a four-game sweep of the Cleveland Indians. The event, held in early September (2004) at Forlini’s restaurant in downtown Manhattan, saw a number of fans wearing NY Giants uniform tops and caps.

Monte’s popularity had not waned at all. When he reached for the microphone 60 fans greeted him with a hearty standing ovation and chanted “Monty, Monty.”

Irvin leaned on his cane and placed a thigh against the table and shifted his weight slightly from side to side as if settling into an imaginary batters box ready to stare down Big Don Newcombe, the mighty Brooklyn Dodger ace, Warren Spahn, baseball's all-time winning left-hander or “The Big Chief” Allie Reynolds, the Yankee ace.

Instead Monte smiled and said, “Thank you. I am elated. I am amazed at how you have kept up this feeling for so many years. This is very special. I will never forget this.” Fans mingled with Monte and discovered he exudes star power off the field as well as on. He is dignified, gracious, pensive, a wonderful storyteller, and enjoys talking baseball. For thirty minutes he captivated his audience with his tales.

“Leo was the best manager ever. He was dynamic. He knew precisely what he wanted to do. He argued a lot but with a purpose. He did not argue for the play at hand instead he argued for the next one.”

Monte divulged an old Leo trick. “Leo ate a lot of garlic and loved getting into the umpires faces,” he said. “Leo was exceptional. Many managers came out of his fold - Bill Rigney, Whitey Lockman, Al Dark, Eddie Stanky, Wes Westrum - and they copied him. Leo was a case study complete with a baseball PH.D.”

Regarding the miracle 1951 season capped by Bobby Thomson's "shot heard around the world, which propelled the Giants to the World Series over their arch rivals the Dodgers, Monte said, “During our run Leo did not pressure us. He just said, ‘Let’s see how good we can do. Let’s try our best.’”

Every time the Giants won a game he said “Let’s do it again tomorrow.” Leo was supportive throughout the comeback but he was also tough. Once in St. Louis he let everyone, except Hank Thompson, stay out until 5 am. Thompson went out anyway and when he returned, Leo was waiting for him in his room.

The fun began after Mays came up to the majors in 1951. Monte was his mentor and taught Mays about life off the field. “Willie was a natural. He was the real thing. He had great speed. He hit the ball hard but I never thought he would become a great hitter with power.”

According to Monte’s calculations Willie lost about 50 home runs at the Polo Grounds due to the deep centerfield (roughly 485 feet from home plate) and probably 100 in Candlestick with its infamous winds swirling around the field.

In the 1951 drive the Giants got help from an unexpected source - the Dodgers. After Brooklyn swept them in a double-header the team was down. Monte and his mates heard the Dodgers whooping it up after the game from their clubhouse. One of the Dodgers yelled out “Eat your heart out Leo you S.O.B.”

“That fired us up,” he said. “We knew we were good. We had talent. We had experience and we felt we could win,” Monte said.

He also talked about October 3, 1951. “Newk blinded us for eight innings. We went down to the wire, and in the ninth inning when Bobby swung we leaned out of the dugout to see if it would clear the wall. He hit it good,” Monte said. “No cheapy shot. He hit it hard. “Before Bobby reached home we lifted him up. He didn’t touch the plate but no umpire in the world would call him out.

“The fans followed us from home plate to the clubhouse. They hugged us and patted us on the back,” he added. “They were delirious. They would have carried us on their shoulders if we let them.”

And what about stolen signs? Monte responded quickly. “Sal Yvars was full of baloney. HBO and others made too big of the issue. Everyone stole signs. If we stole signs why were we losing,” he said. “Besides you have to hit the ball.”

After that dramatic game the Giants sailed into the series and beat the Yankees and Allie Reynolds in the first game 5 - 1. Monte stole home and had four hits. “The Yankees were both good and lucky,” Monte said. “If it didn’t rain after game 3 and if Don Mueller did not get hurt things could have turned out differently.”

Mantle and Berra scored the headlines during their team’s string of championships in that period but Monte attributed the Yankees’ success to Bauer and Woodling. “They were the secret weapon and the reason why the Yankees were so good,” he said.

In game one Monte stole home in the first inning. Monte told Leo, who coached third, he thought he could steal home. Leo gave him the okay. “It was a high pitch. I beat the tag. Yogi jumped up and yelled ‘No, No, No.’ I said ‘Yes, Yes, Yes’ and told him to stop crying and check the newspapers the next day,” Monte said. “When I saw Yogi for the first time many years later he comes over to me and said ‘You safe, Jackie out,’” Monte laughed.

An all-state player in four sports at East Orange High School in New Jersey, Monte, who declined a football scholarship to Michigan, quickly developed into a major league star. He played for the Newark Eagles of the Negro Leagues, under an assumed name, Jimmy Nelson, while attending Lincoln University in Pennsylvania where he majored in political science. Blessed with speed, power and a great throwing arm Monte left school after two years and became a Negro league star. His success led him to the majors. Monte and Hank Thompson became the first African-Americans to play for the Giants.

Monte had a career average of .293 including a high of .329. In 2500 at bats Monte hit 99 home runs and 97 doubles. In 1951, his second full season in the majors he hit 24 home runs and led the league with 121 runs batted. (The first African American player to lead the league). He batted .312 and finished third in the MVP ballot. Many think to this day he should have won it. He hit an astounding.458 in the 1951 World Series. In the spring of 1952 Monte broke his ankle in an exhibition game against the Indians. That year he played in just 46 games. The following year Monte suffered another injury further affecting his play.

Baseball’s color barrier deprived Monte from joining the Giants until 1949 at the age of 30. When asked about baseball’s injustice he said, “My ambition was always to play good baseball. I did. I feel fortunate. I played in the Negro Leagues for 10 years. I played with Willie Wells, Leon Day and the greatest hitter no one knows anything about, Josh Gibson. He was as strong as two men. He always led the league in homers and rarely struck out. I was happy when Jackie succeeded. I knew it was just a matter of time before others were selected.”

Initially Branch Rickey wanted Monte to break the color barrier. “I wanted to be the first,” Monte said. “I had been in the army for three years and I was not ready with my game at that point.” Rickey did not want to buy Monte’s contract from the Newark Eagles. Two years later the Giants paid $5000 for his contract. In 1949 Monte and P. Ford Smith became the first black players signed by Giants.

Today the Giants play in beautiful AT&T Park. All that remains of the Polo Grounds is a commemorative plaque on the site (now a NYC housing project) where the storied stadium once stood and the John Brush stairwell on Coogan’s Bluff. But for one day 60 diehard Giant relished in the legacy of a great franchise and the summers of Mays, Thomson, Hubell, Ott, Terry, Mathewson, McGraw and Irvin.

On this day NY Giant baseball returned to the city. One of our own came home. On this day Monte Irvin transported his fans back to 1954, to a time when the Giants, not the Yankees, nor the Cardinals, nor the Red Sox, nor their arch rivals the Dodgers, ruled baseball.

Photo: John Barr, Monte Irvin and Stuart Leeds; photo by Rudi Papiri

Polo Grounds Walking Tour: STEPPING BACK INTO TIME

Forget Ebbets Field. Forget PeeWee, Newk and The Duke. Forget Campy and Jackie too. The Boys of Summer returned home and no one wore Dodger Blue. Instead orange and black, the colors du jour, dotted Yankee Stadium during one three game series in early June when the San Francisco Giants faced the American League Champion New York Yankees.

While thousands cheered the new "Sultan of Swat," Barry Bonds, many diehard fans came to pay homage to baseball's past and New York City's forgotten team, the New York Giants and swap cherished memories of Willie, Bobby, The Barber, Dusty, Monte, and King Carl.

The San Francisco Giants, formerly of New York, once owned the city and played in the Polo Grounds a subway stop south of Yankee Stadium and a five minute walk across the McCombs Dam Bridge or the 155th Street bridge which spands the Harlem River. In fact the Yankees played at the Polo Grounds until their landlord, the Giants, gave them the boot after the 1922 season, when both teams met in the World Series.

The scripted orange letters on the visiting team's caps read SF but for New York Giant fans this did not matter. The Giants returned to the stadium for the first time since they played the Yankees in the 1962 World Series. To celebrate this event The New York Giants Baseball Historical Society organized an outing to Yankee Stadium combined with a walking tour of the old Polo Grounds site.

On Sunday, June 9, a beautiful sunny day, members began meeting at 10 a.m. outside the subway entrance at 155th and Eighth Avenue. As you exit the subway you see a large sign which reads "Polo Ground Houses." A city housing project replaced the hallowed field, the site of numerous championships in baseball, football and boxing.

Several members stood quietly flipping back 50, 60 years in time when this street was home turf for one of baseball's storied franchises, when an eighty-plus-year old man named Edward ambled over and broke the silence. Looking at Steve Rothschild, who wore a cap with the NY insignia, Giants wristbands and uniform top with 24, the number of his hero Willie Mays, he said "They are not playing here today. You might want to head there," he said pointing to Yankee Stadium on the other side of the river."

Edward, who has lived at the Colonial Houses, located across the street, north of the Polo Grounds housing since the early 1950s, added "I used to hear the crowd from my apartment. I knew when the Giants scored by how loud the people yelled. They were special times."

At 10:40, after thirty minutes of pre-tour chitchat Donald O'Sullivan, Steve Rothschild, Allan Abrams, Ann and Jim Nurum, Stuart Leeds and this reporter began their tour. Ed Fernandez, a maintenance man at the project said "You gotta see the plaque" and without asking lead the way.

Following him we took the first right and passed a public elementary school's fenced-in utility lot. As we continued along the walkway a spacious concrete yard with basketball hoops appeared on the right. On our left we saw a large stone oval and fountain in the middle of a plaza-like setting bounded by the two other buildings. Later we figured we may have walked within twenty to thirty feet of the site of one of baseball's greatest plays - Willie Mays mythical over-the-head catch of Vic Wertz's 455-foot drive in the 1954 World Series. Instead of seeing number 24 racing with his back to home plate we spotted a young girl pushing a child in a stroller as two boys followed behind on scooters.

Halfway around the oval we found the plaque on one of the concrete columns supporting the western most building of the project, less than100 feet in front of the steep rocky tree-covered hill known as Coogan's Bluff. This large bronze plaque, now tarnished and smudged, designates the approximate location of home plate.

"It was not a pretentious place. It was an easy place for a fan to navigate and watch a game," Dan O'Sullivan said.

As a kid Allan Abrams walked to the Polo Grounds from his Bronx neighborhood. He called it a stadium of contrasts. "It was shaped like a rectangle. Seats down the lines were close to the field but the bleachers were far away," he said.

"But the beauty of the place was that the clubhouse was in centerfield. The players walked the length of the field coming in and out of games," he added. "I once gave Wes Westrum a pin with his face on it. He wore it under his chest protector."

From home plate we walked north, towards left field, and traced the path of Bobby Thomson's "Shot Heard 'Round the World." We ended up on a pebble strewn side-street which probably looks no different from when the Giants last played here in 1957. Jim Norum said "I remember this street. We used to line up here with the P.A.L. waiting to get into the games."

Stone steps cut into the lower portion of the bluff and lead us up to the Harlem River Drive. From there we walked to Edgecombe Avenue which stretches along Highbridge Park roughly thirty stories above the old playing field. Hidden from view by the park's thick brush and tall trees we find the only relic remaining from the franchise's New York Days - a stairway descending from Edgecombe Avenue to the Harlem River Drive.

Inscribed on one landing are the words "John T. Brush Stairs Presented by The New York Giants." Brush owned the Giants in the early part of the last century.

Norum said "They may play in San Francisco but the last time they won the World Series was 1954 when they played here."

We stood silent for a about a minute studying the grounds below. We did not see four high rise buildings instead we saw of field of storied memories. We remained this way until Abrams slapped his hands together and said "Let's go Giants."

From there we walked across the McComb's Dam Bridge to see the San Francisco Giants play at Yankee Stadium.

Photo Caption: l to r: Donald O'Sullivan, Steve Rothschild, Allan Abrams, Jim and Ann Nurum, Stuart Leeds.

Game June 2004

LOOKING FOR A RED CARPET MOMENT: COME TO PIER 84's PET PARADE

Attention all cats, dogs, hamsters, parakeets, ducks, rabbits, turtles, gold fish, ferrets, ponies, iguanas, chickens, pigs and river rats, of course this is New York City.

Are you ready for your red carpet moment? Can you handle the pressure of the spotlight and the woofs, meows quacks, chirps, and neighs (there are a couple of horse stables nearby) of your peers?

If so, you and your two-legged pets, male or female of all ages, shapes, colors are invited, to Pier 84’s Pet Parade and Fall Festival. And this year the spotlight will shine brighter than ever. Animal Planet Television will film the event.

Sponsored by Friends of Hudson River Park and the West 44th Street Better Block Association/Friends of Pier 84 the third annual pet parade will take place on the main plaza in front of P.D. O'Hurley’s outdoor café.

This event is more than prancing along a forty-foot red carpet and showing off your two-legged house pet. Spoiled Brats, one of Hell’s Kitchen, most popular pet shops will offer prizes in six categories: most obedient, best dressed, most exotic, best trick, best participant/two-legged pet look-alike, and an overall grand prizewinner.

Eddie Rum, owner of Spoiled Brats on West 49th street, will again offer prizes.
“Let’s step it up and make it even more exciting. Lets give everyone a reason to really strut their stuff,” he said. There are no losers. All participants will receive goodie bags courtesy of Spoiled Brats.

Last year about thirty-five friends participated in Hell’s Kitchen answer to the Tony Awards. This included four cats, two Siamese beauties and a turtle. The turtle and the Siamese cats won prizes. The contest features an MC, four judges and the circling of the large water fountain in the Pier’s oval, which will be shut off for the day.

The event is open to everyone. It is scheduled for Sunday, October 4 on Pier 84, located at 44th street and the Hudson River between the Intrepid and the Circle Line Piers.

Registration begins at 3 pm. The contest starts at 4 pm. You must sign-up at the FOHRP Association table under the large white tent. To pre-register email petparade@fohrp.org.

Lets not forget the Fall Festival which features two extremely talented musical groups based in Hell’s Kitchen on the same day. The Piers Lawrence Quartet will perform at 3 pm and the NYC Slickers, a Bluegrass group, at 6pm. Members of a NYC Astronomy club will give an informational visual offer tour of the evening sky. Face painting is available for children. All is free.

Enjoy casual lunch or dinner and drinks at P.D. O'Hurley’s bar and outdoor café before or after the event.
Come out and celebrate our furry, cuddly and loyal friends on Pier 84, the gem of Hudson River Park.

Photo: By Rudi Papiri; Some of the participants of the 2008 Pet Parade

Hudson River Park's Pier 66A: HISTORICAL LINK TO WATERFRONT'S PAST

Abandoned almost four decades ago this rectangular structure sat locked in the waters off 26th street, a stark reminder of a time when commerce dominated the Hudson River waterfront. Complete with train tracks and supported on both sides by ten-foot high X- beams this 50 foot long anomaly, with thick decaying weather-beaten wooden piles and rusted steal sidings, pops up out of the water angled towards the esplanade like a sea-monster ready to snatch unsuspecting joggers and walkers.

But for advocates of the new Hudson River Park, the 26th Street railroad transfer bridge had a significant role in the port's commercial history, one important enough to preserve and incorporate into the plans for the park.

In stepped Noreen Doyle and Mike Bradley of the Hudson River Park Conservancy, the predecessor of the Hudson River park Trust, and Ed Kirkland, longtime Chelsea resident, preservationist and member of Community Board 4 who recognized the bridge’s historical importance and took action. About ten years ago they spearheaded a move to refurbish the bridge and secured a $650,000 federal grant. In December 2001 the bridge returned to the waters off 26th street a beneficiary of three quarter of million dollars worth of repairs at a Staten Island shipyard.

"When I first moved to New York I remember how fascinated I was watching train cars pulled off the barge and into the Starrett-Lehigh Building where the Lehigh Valley Railroad used the ground floor as a huge enclosed freight yard," Kirkland said.

The 26th transfer bridge and car float, once owned by the Baltimore and Ohio Railroad
served as a terminus for barges carrying freight cars across the Hudson until 1973. Barges departed from B & O's mainland terminal in Jersey City and also from St. George, Staten Island to 26th Street.

In 1890 B & O purchased a small portion of land on 24th to 26th streets, across Twelfth Avenue from the river and built a small freight yard, now partly occupied by a U.S Postal Maintenance Facility and NYC Sanitation Garage. It also gave the railroad a presence in New York City.

Barges carrying rail cars moved across the river assisted by tugboats. The tugs helped line the barges up with the transfer bridge. This required pinpoint accuracy. The tugs often needed several attempts to connect the barge with the bridge. Tide levels and strong currents often hampered this coupling since the transfer bridge sat on a pontoon, a flotation-type structure similar to a large flat-bottomed boat or barge. Workers then had the dangerous job of manually fastening the two structures together by hammering pins into connecting holes.

Railroad tracks ran across Twelfth Avenue extending from the transfer bridge to the B & O freight yard. A diesel engine usually pulled an empty freight car and greeted the barge at the bridge. Then the diesel engine backed the empty freight car down the ramp that was attached to the bridge. Workers then hooked the empty car with the lead car on the barge. The diesel engine pulled the freight cars off the barge and across the street to the freight yard.

Up until the 1950 barges ferried over 100,000 rail cars across New York harbor. New York Central had probably the largest operation on the west side. They had transfer stations and yards at 30th, 60th and 130th Streets. The railroad even had 13 miles of track in Manhattan. This included the elevated rail line High Line (now the upscale High Line Park) that ran parallel to Tenth Avenue in Chelsea. The car float link, also known as the New York Cross Harbor Railroad provided Manhattan with a vital link with the rest of North America. It eliminated the need for trains to travel hours north of the city to reach a train bridge and cross the Hudson.

Today only one rail-freight float remains in the city. It transports almost several thousand rail cars between Jersey City and Sunset Park Brooklyn. Hauling freight by rail declined with the push toward automobiles and tractor-trailer. Interest in shuttling freight by train has increased as a way of easing vehicular traffic and reducing air pollution.

Renovations to the rail bridge, at pier 66A, included pedestrian walkways. The bridge connects to a former car float barge, built in 1946 for the Erie Lackawanna Railroad. The barge used to carry rail cars across the Hudson and is now home the historic lightship Frying Pan and the John J. Harvey fireboat. Built in 1931 the Harvey is considered one of the most powerful fireboats in the history of the NY Fire Department and is listed on the National Register of Historic Places.

Maritime Bar & Grill and an old Erie Lackawanna caboose are also on the barge.

The transfer bridge is adjacent to Pier 66 and boathouse home to NY River Sports which sponsors Hudson River Community Sailing; New York Kayak Polo; Manhattan Kayak and New York Outrigger

About the bridge Kirkland said "Granted it looks strange but it is an impressive structure that allows us to understand how the waterfront worked and offers us a wonderful insight in its history in connection with the river."

Photo by Rudi Papiri